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Compressor Colors_1



Date: 05/31/2009  
Project Type: Before&After
Views: 341

Submitted by:

Original Audio
(before processing)
Listen

 
 Processed Tracks
 The following audio clips are processed versions of the original audio track.
 
Play Clip Description of Processing
  Hear clip 1
Compression shootout on acoustic guitar. The signal path is a Neumann 64 into a NEVE 1073 into Pro Tools. Then the signal was run thru the various compressors. Does each compressor have a different vibe?
Credit goes to White Room Studios in Detroit, Mi Tube Tech CL1b:
  Hear clip 2 EL 8 Distressor:
  Hear clip 3 Retro Sta Level:
  Hear clip 4 LA2A:
  Hear clip 5 SPL Transient Designer:
  Hear clip 6 nEVE 2254:
  Hear clip 7 Shadow Hills Mono Optograph:
  Hear clip 8 Retro 176:

There are 2 comments about this project:
danblaisdell - May 31 2009
The LA2A seemed to "pump" the most. I like the way it shapes the sound. Haven't made my mind up about which I like best. Can you tell us how you set the compressors?
rackrecording - June 03 2009
The original guitar track has a bit of a dirty over-driven sound in parts, kinda like something was peaking. To me the LA2A and some of the others brought out too much of that grit. I think the SPL Transient Designer seems to keep the distortion under control the most, but maybe it's cause it's a bit quieter than the other tracks. I liked the Distressor the most after the first listen cause I liked how it seemed more up front, but after listening to them all again, most of them seem very close to me. My opinion changes depending on what part I'm listening to.
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